But I think what makes us suffer in this civilized world is that, to survive as a society, we have to ignore some of these forces which are inside us. Review: Richard III (Schaubühne Berlin) Posted in Theatre by Suzy Wrong. Shakespeare was part of a Catholic family in Elizabethan times, when it was forbidden and you could be sentenced to death. Read More. Er war gut genug, für seinen Bruder, König Edward (Thomas Bading) die Schmutzarbeit auf dem Weg zur Macht zu machen. The problem of cutting material then becomes one of dramaturgy: how to make a play with so many holes remain dramatically intelligible? Richard III. 2015 : Richard III de William Shakespeare, Festival d'Avignon (Opéra Grand Avignon) 2015 : Bella Figura de Yasmina Reza, Berlin Schaubühne; 2016 : La Mouette d'Anton Tchekhov, Théâtre Vidy-Lausanne; 2017 : Retour à Reims, d'après l'essai éponyme de Didier Eribon paru en 2009, Berlin Schaubühne Karin Veraart 28 september 2015, 2:00 Roland Haufe als Richard III. 2 Tage (Freunde) vorher erwerben.Zum Login für Freundeskreismitglieder. »Yes!« he exclaims, excited, like a little boy, »There will even be fencing! In the Schaubühne’s case, there is a new prose translation by playwright Marius von Mayenburg. The photos in this section may be used free of charge only in advanced press coverage and news coverage of our productions and/or our theatre, provided the respective photographer is credited. He has created an explosive Richard III.In German – … «. Die Schaubühne ist ein Theater in Berlin. You can see everyone«. So we go for the content and not for the poetic power of the language«. But I could not possibly imagine an Ostermeier production in historical costume. Opinion . Photograph: Arno Declair Schaubühne production of Richard III by William Shakespeare, directed by Thomas Ostermeier The world’s coolest theatre is streaming plays for free . Richard III. Enregistrée par gwenaëlle HEBERT. When I meet Ostermeier, in his office, the Artistic Director of the Schaubühne is holding his head in his hands and has closed his eyes. We should not forget another recent incarnation: the sudden appearance of the ossified remains of Richard himself, dug up in a municipal car park in Leicester two years ago. »You have to face the fact – and this is a stupid sentence – that evil exists. Firstly, the play is simply too long. And that is frightening. pin. Ein Krüppel, der auf den Schlachtfeldern der Rosenkriege seiner Familie gute Dienste geleistet hat. It is a spare, set, without pomp, but with the addition of video projection on the balconied wall, it is a tower of death and ravens, a battlefield (lots of blood) and a royal palace (gilded confetti poppers.) Edinburgh International Festival From 24 to 28 August 2016 »Richard III« in Stockholm. En misvormd. But what more does a well acted Richard achieve other than »proving to be a villain«? Before his breakthrough he played minor roles in German TV shows like Schloss Einstein (2002) … Online haben Sie außerdem die Möglichkeit, via paypal zu zahlen.Per Telefon oder Internet bestellte Karten werden auf Wunsch gegen eine Versandgebühr in Höhe von 4,00 € zugeschickt (Kartenversand im Inland bis 10 Tage, ins Ausland bis 20 Tage vor der Veranstaltung). This article is available to Limelight subscribers. Wir akzeptieren an unserer Theaterkasse Zahlungen in bar, mit EC- und Kreditkarte (AMEX, Eurocard/Mastercard,Visa). Lars Eidinger (German: [laʁs ˈaɪ̯dɪŋɐ] (); born 21 January 1976) is a German stage and film actor.Eidinger started his career at the Deutsches Theater in 1997. Richard ist hässlich. The Schaubühne actor reflects on the relevance of Shakespeare’s infamous self-made king. The tip of the stage juts into the audience, and there is immediately a tremendous sense of intimacy, perfect for an aside or soliloquy; it forces you to communicate with the audience. I love him«. Indeed, the play spoken in German is freed once more from the holiness of the original script. Share. Fällt der Erste des Monats auf einen Sonn- oder Feiertag, beginnt der Vorverkauf am Folgetag. Watch “Richard III” Trailer, Schaubühne Berlin. The character of Richard III, like Shakespeare, uses careful rhetoric as a strategy for advancement and then survival. This might be a risk in the hands of a lesser director, but in those of someone sensitive the tradition of cutting might present a compelling challenge. 2. Richard III. The character of Richard III, like Shakespeare, uses careful rhetoric as a strategy for advancement and then survival. The company in residence at the Schaubühne theatre in Berlin bring to Hong Kong an alternative take on Shakespeare's classic Richard III. The Director Ostermeier tackles this Shakespeare's renowned play in a new translation by von Mayenburg that changes English verses into German prose to … sind gerade für Ihre Wunschvorstellung wieder Karten freigeworden. Shakespeare was indeed well aware of his audience: he ingratiated himself with royal power, perhaps to protect himself. 2020. Richard III, written ca. Bitte haben Sie Verständnis, dass hier ausschließlich Karten für die jeweiligen Abendvorstellungen zu kaufen und abzuholen sind.Aufgrund der Pandemie können aktuell keine Wartenummern ausgegeben werden. »Tough rehearsal?« I ask. Lars Eidinger plays him. Lars Eidinger is the king of the classical fringe. August 11, 2016. Find out more about Thomas Ostermeier's Berlin Schaubühne Theatre production, which runs from 24 - 28 August 2016 at The Lyceum The 21st Folio is podcast about modern Shakespeare productions of stage and screen. I like the idea that, from childhood onwards, he grew used to playing at being somebody else, to survive. Listen to classical music CDs online. Sympathy is a compelling hook for the study of a man who becomes a serial killer, eliminating every obstacle in his path, to reach his royal objective. The text in the First Folio of 1623 is substantially better, having been heavily corrected with reference to an independent manuscript. Richard III, the Shakespeare play which portrays a despicable character as its main, came to town. +++ Karten für »Richard III.« und »Professor Bernhardi« +++ Wir konnten gerade einige Karten (bis zu 20 pro Vorstellung!) Ihre Verführungskraft liegt gerade in ihrer hemmungslos zielgerichteten, lustvoll zur Schau gestellten Amoralität. . A Conversation with Thomas Ostermeier, A Glittering Abyss. Read More. The productions are in German with En Of course this is very demanding. Richard III (Schaubühne Berlin, Adelaide Festival) Eidinger’s pissing and puking monarch is the dark heart of Ostermeier’s Germanic staging. »Everything is organic: the walls, the ground: it’s all clay«. Almost nobody. I try to find out while rehearsing what might be most convincing. Galas & Events. A Conversation with Thomas Ostermeier by Joseph Pearson. Responding to my head-scratching, Thomas replies, »Come downstairs and see the theatre, and you will be able to tell me why we made it. Tickets sind online im Webshop buchbar. Bis heute hat die Titelfigur nichts von ihrer Faszination eingebüßt. Februar 2020 eine Servicegebühr von 2 Euro pro Auftrag. The company in residence at the Schaubühne theatre in Berlin bring to Hong Kong an alternative take on Shakespeare's classic Richard III. Januar 2021 ist die Kasse unbesetzt und auch telefonisch nicht erreichbar. This task of balancing intentions and self-presentation has, of course, a distinguished history, taken up by many famous past Richards. Richard III. A Reply to Distancing, with »Michael Kohlhaas«, Rockers, Balzac, and Neoliberalism: »Vernon Subutex 1« at the Schaubühne, The Missing Link in Marius von Mayenburg’s »The Apes«, Playing with Change Lars Eidinger and John Bock’s Collaborative Peer Gynt, A Playground of Ambiguity Anne-Cécile Vandalem’s »Die Anderen«, »Youth without God«. Aufgrund der Verordnung des Berliner Senats zur Eindämmung der Corona-Pandemie und weil wir Sie und unser Personal bestmöglich schützen und vor Ansteckung wahren wollen, ist unsere Theaterkasse vorerst für den Publikumsverkehr geschlossen. Thomas Ostermeier has been director of Schaubühne Berlin since 1999, keenly mixing Sarah Kane with older classics. Schaubühne Berlin / Thomas Ostermeier. Her Majesty’s Theatre, Adelaide. BE FIRST JOIN . Richard III, Schaubühne Berlin, Barbican More or less a one-man show, but the denouement justifies everything. Richard III is a play by William Shakespeare.It was probably written around 1593. Genieten bij Richard III Zoals Richard III al tijdens de maaltijd, geserveerd op het podium, zegt: we moeten genieten van dit legendarische stuk. Presented by Schaubühne Berlin and directed by Thomas Ostermeier (entirely in German except for the occasional English), this was the right thing to see at the wrongest of times. Haufe gaat als Richard III van charmant en bestudeerd bescheiden naar berekenend en vilein tot doorgedraaid. Richard III (Engelse titel: The Tragedy of Richard the Third) is een omstreeks 1595, mogelijk reeds in 1592 geschreven historiestuk van William Shakespeare over de corrupte, sadistische Richard III van Engeland die na de troonsbestijging van zijn oudere broer Eduard alles in het werk stelt om de koningskroon voor zichzelf op te eisen. Expect to be in the se »abgrund« at the Schaubühne, Training for the Future. Bitte schauen Sie ab und zu hier rein, ggf. In de jaren '30 komt door de dood van de koning van Engeland een einde aan een bloedige burgeroorlog. Playing his rivals off against each other, and gleefully killing again, he … If you want to use the word »sunset« you simply type it. Lars Eidinger as a corseted King Richard All images by Arno Declair . Richard III. Richard III est une des pièces de jeunesse de William Shakespeare. Like a stencilist who peers into his box of letters, he ascertains whether he can print his entire message before he’s halfway through the job. Novinky, lístky, nejnovější info, stejně jako program a vstupenky na nejlepší akce najdete na GoOut. You can say: this is evil; it’s fascism. And Shakespeare was writing for this kind of theatre«. Schaubühne, středa 19. Might this also explain the presence of so many citrus-selling prostitutes lurking among the groundlings of the Globe Theatre in Shakespeare’s time during a five-hour production? It might in fact be one of the great attractions of the play: the opportunity to remake it. Watch “Zeppelin” Trailer, Schaubühne Berlin. «. 21st Folio is a subsidiary of Seventh Row, an online publication dedicated to multidisciplinary film and theatre criticism. That’s what makes these plays work; this is their inner motor«. Hong Kong Cultural Centre Grand Theatre. I try to find out while rehearsing what might be most convincing. Subscribe now . Feet planted on the sloping stage to the half-barreled galleries, it’s immediately clear that there is a simple reason why this space needed to be built: because it is the style of theatre for which Shakespeare wrote his plays. Thomas Ostermeier tells me, »I usually try to answer questions I have about a play in the rehearsal room. Who identifies with a fascist? But then I envy you for having the beauty of the language in English«. Opinion . Reviewed on March 4, 2017. by Clive Paget on March 5, 2017 | Thomas Ostermeier has never been one to embrace the rulebook. Richard III (Fotheringhay, 2 oktober 1452 – Market Bosworth, 22 augustus 1485) was koning van Engeland van 1483 tot 1485. Karten; Auf Deutsch. Sa carrière berlinoise commence en 1996, lorsqu'il se voit confier un espace par le Deutsches Theater clock. Richard is a deformed, hobbling, hunchbacked cripple who has helped his brother Edward to become King with a few judicious murders. »Danke Deutschland – Cảm ơn nước Đức« at the Schaubühne. Richard III, written ca. Show Map. Richard III is the first in a line of Shakespearean villains known for his moral autonomy and virtuoso art of manipulation. Fällt der Erste des Monats auf einen Sonn- oder Feiertag, beginnt der Vorverkauf am Folgetag. We know that we cannot kill, that we cannot rape, that we cannot take what belongs to others. Venue: Her Majesty’s Theatre (Adelaide SA), Mar 3 – 9, 2017 Playwright: William Shakespeare (adaptation in German, by Marius von Mayenburg) Director: Thomas Ostermeier Cast: Thomas Bading, Robert Beyer, Lars Eidinger, Christoph Gawenda, Moritz Gottwald, Jenny König, Laurenz Laufenberg, Eva Meckbach, … But the end of the Wars of the Roses brings Richard no peace. The Schaubühne actor reflects on the relevance of Shakespeare’s infamous self-made king. Richard the III, Trump, and the uncanny foresight of the Bard. »This solution is too easy«, says Thomas, ‹Then you can point to it. Expect to be in the se Stream Richard III Intro von Nils Ostendorf by Schaubühne Berlin from desktop or your mobile device Because Shakespeare is more intelligent than I am, and I trust he will provide me with the answers through three-dimensional thinking – which is theatre«. Richard III. Ostermeier contends he is much more than a monster: he is not an exception but rather representative of more widespread instincts. Stage How we staged Shakespeare Theatre is a beautiful tool to send somebody on stage, who is Richard, and to make him do all those things for us that we ourselves would sometimes like to do«. I now have too many questions, and am too impatient to wait for the Richard III premiere. Ist ein Versand nicht möglich, werden Ihre Karten bis zum Vorstellungsbeginn an der Theaterkasse zur Abholung bereitgelegt. We also have a drive to humanism, for instance to sharing. »Why prose?« I ask, and Thomas replies, »Because English has fewer syllables for a word than German. I am only interested in a character so elegant that he seduces me to be happy in his evil doing. About the podcast . More than a year ago. Richard the III, Trump, and the uncanny foresight of the Bard. 2 Tage (Freunde) vorher erwerben. Read More. I don’t know what my Richard should be like before entering. Né en 1968 à Soltau, Thomas Ostermeier est un des metteurs en scène les plus marquants du théâtre allemand depuis la fin des années 1990, ce qu'est venu confirmer sa présence en tant qu'artiste associé au festival d'Avignon 2004. Wir bitten Sie deshalb, Kartenrückgaben ausschließlich per Mail, per Telefon oder schriftlich vorzunehmen. There will be no fascist banners on stage, as in the 1995 film production starring Ian McKellen, who turned Richard into a Hitler figure. Thomas tells me he chose this play because while »I could willingly and joyfully direct five or six other Shakespeare plays at the moment, I had no Lear in the company, and no Antonio, no Shylock«. Ein Krüppel, der auf den Schlachtfeldern der Rosenkriege seiner Familie gute Dienste geleistet hat. Performance & Event Venue. Although Richard III preceded the related tetralogy of Henry VI plays, and stands very much on its own, it still assumes a visceral knowledge of the War of the Roses between the Houses of York and Lancaster. For Richard III it is semi circular, the audience seated sits around (very Global) very close to the action, which is performed on a sandy arc, with balconies at the back. Thomas Ostermeier’s Schaubühne production of Richard III is at the Lyceum, Edinburgh, 24-28 August, as part of the Edinburgh international festival; Topics. »What is the back of the stage made of? There is a limit, of course, to such spontaneity. »There is this theory that when you have a certain period in literary history, the way of writing drama has to do with the architecture of the space they were writing for: Greek drama was written for Epidaurus, the Antique theatre. Vstupenky a informace o nadcházejícím představení. Natürlich können Sie sich Ihre Karten für eine Gebühr von 4,00 Euro auch zuschicken lassen. Stream Richard III Intro von Nils Ostendorf by Schaubühne Berlin from desktop or your mobile device Sold out – Remaining tickets at evening box office only. The story of terror becomes divorced from the complexities, which, unwieldy, nonetheless provide context. We know that Shakespeare was Catholic but we do not know whether this played a role in his daily life. Ab Montag, den 4. In this episode, we discuss the Schaubühne Berlin's recorded productions of Hamlet and Richard III, both directed by Thomas Ostermeier and starring Lars Eidinger. Die Schaubühne wurde 1962 als privates Theater mit einem politisch und sozial engagierten Spielplan gegründet. »For me, this is a basic question of Shakespeare’s writing: »who’s there?» in the sense of »who are we? True. Access our paywalled content and archive of magazines, regular news and features for the limited offer of $3 per month. The German director has yet another advantage. RELATED EVENTS Wed, Oct 11, 2017. Vorverkaufsbeginn ist jeweils am 1. eines Monats für den Folgemonat zu den regulären Kassenzeiten. In each regular episode, a panel of guests discusses one more productions of Shakespeare's plays, usually either adapted for the screen or filmed live at the theatre. SHAKESPEARE, W.: Richard III (narrated in German) (Schaubühne Berlin, 2015) (NTSC) by William Shakespeare. Richard is the consummate player, well aware of his rhetorical trickery to deceive his opponents, such as in the scenes of self-presentations of piety before the burghers of London. Saved by Edinburgh International Festival. Find out more about Thomas Ostermeier's Berlin Schaubühne Theatre production, which runs from 24 - 28 August 2016 at The Lyceum 3 SALISBURY ROAD, Tsim Sha Tsui, Hong Kong. Thomas has me sit in seats located below, above, and at eye level with the stage. Ostermeier says that there will be texts and video at the beginning of the play explaining the War of the Roses. »Richard has very evil aims, to become the King«, says Thomas, »But he has to put on the role of somebody who is only interested in God, and in the wellbeing of the King, of the Kingdom, of England. Member Mingle. The strong tradition of interpolations and changes gives the director a license to challenge the »holy inviolable text« (a status accorded to so many of Shakespeare’s creations). v Berlíně! Not unless Richard himself had risen from his car park and had tormented him in his sleep. For this reason, I want to celebrate evil on stage«. I approached this reconstruction with surprise. Log in to continue reading. The audience is brought close not only to watch but also to judge – not just the characters, but themselves, and how far they might allow themselves to be seduced. When facing the challenge of making Richard come alive for an audience, Ostermeier likes to reflect on the first lines of Hamlet: »Who’s there?« It is a question Thomas has asked in many of his plays, and one with which he recently addressed an international conference on his work this past September in London. »Richard III« ist eines der frühesten Stücke Shakespeares, uraufgeführt um 1593. Schriftliche Bestellungen können erst am Nachmittag des ersten Vorverkaufstages bearbeitet werden. We will keep the Globe, and I will do three or four other Shakespeare plays here«. Restkarten an der Abendkasse. Laurence Olivier is perhaps the most famous; although my own sense is that his performance appears to today’s audiences half Mr Bean, half James Bond evil genius – played with a voice of synthetic authority. Next Wave Festival: Richard III NYT Critic's Pick Off Broadway, Drama, Play, Shakespeare 2 hrs. He’s so awesome. in der Schaubühne Lars Eidingers Richard, verwachsen und klumpfüßig, ist in dieser Kampfarena von Anfang an ein Außenseiter. One can easily think of Richard as a nihilistic figure, a rebel without a cause perhaps, in a constant state of discontentment. Listen to classical music CDs online. But imagine if sunset just doesn’t want to mean sunset. Es besteht die Möglichkeit, Ihren Wunschplatz im Saalplan selbst auszuwählen. From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes Richard III Study Guide has everything you need to ace quizzes, tests, and essays. By Henrik Ibsen, version by Florian Borchmeyer Direction by Thomas Ostermeier. Wir bitten Sie deshalb, Kartenrückgaben ausschließlich per Mail, per Telefon oder schriftlich vorzunehmen. Wir bitten hierfür um Verständnis. Or, if sunset wants to be a different word. In Thomas Ostermeier’s Richard III, the spirit of anarchy reigns supreme. Dec 29, 2016 at 7:45 PM – Dec 31, 2016 at 5:00 PM UTC+08. For the protagonist to become tragic, much depends on how much pity is activated at the conclusion: will Richard be exposed, reduced, humbled by bad dreams? Thomas Ostermeier tells me, »I usually try to answer questions I have about a play in the rehearsal room. Theatre. At the same time, you are challenged by the task of being careful in not showing he is evil, or else you will never succeed«. Dat doen we. Hij was de vierde en jongste zoon van Richard, hertog van York en Cecily Neville Jeugd. Ostermeier tells me, »A lot of British directors who are friends of mine envy us for the necessity of having to translate Shakespeare because then you can create a new world. From below, they seem like Gods, from above you might pity them. The evil character in Richard III has always been preferred by directors, including Thomas Ostermeier, the artistic director of Schaubühne Berlin, a stronghold in the German theatrical circle. Ces villes accueilleront prochainement. »When you stand here, there are no more questions«, says Thomas. One of the most spectacular aspects of the production is the building of a new theatre within the Schaubühne: a new Globe Theatre, modeled on Shakespeare’s stage in London. Confinée, la Schaubühne de Berlin se met en scène sur les réseaux sociaux. As Thomas says, you »cannot ignore them. Januar 2021 ist die Kasse wieder telefonisch zu diesen Zeiten erreichbar:Montag bis Freitag von 10:00 Uhr bis 12:00 UhrSamstag und an Sonn- und Feiertagen geschlossen, Schaubühne am Lehniner PlatzTheaterkasseKurfürstendamm 15310709 Berlin. A 20s American critic said that »After midnight a young man’s fancy turns to anything but Richard III«. "Richard III" de Shakespeare, mis en scène par Thomas Ostermeier, à l'Opéra Grand Avignon 6,7,8,9,11,12,13,14,16,17,18 juillet 2015 Durée du spectacle 2h30, en allemand surtitré en français There’s no contemporary context on the political level. Hosted by Click for Arts 藝在「指」尺. The Schaubühne’s Richard III and a Floating Palais headline an “every one’s a winner” festival. If you go for the rhyme in the end, it’s even worse. Karten können online entweder über den TICKET-Button im Spielplan gebucht werden, oder direkt im Webshop. Abonnement : 2 mois offerts. by William ShakespeareDirection: Thomas OstermeierGlobe. wir Ihnen als E-Ticket zusenden, dieses können Sie direkt in die Wallet auf Ihrem iOS/Android Smartphone speichern oder auch als PDF zu Hause ausdrucken, Samstag und an Sonn- und Feiertagen geschlossen, Aufgrund der Verordnung des Berliner Senats zur Eindämmung der Corona-Pandemie. « and »what is a human being? schaubühne ... »Richard III« in Edinburgh. Elle a été composée en 1592-1593, immédiatement après la trilogie Henri VI dont elle pourrait constituer une quatrième partie. And he rolls his eyes at the idea of introducing a new context for the play. In making his choice of play, he has left little to chance. Vorverkaufsbeginn ist jeweils am 1. eines Monats für den Folgemonat zu den regulären Kassenzeiten. He will appear complete with Richard’s telltale deformed hump and taped arm, contrapuntally »descanting on his own deformity«. Dramaten On 2 and 3 September 2016 »The Marriage of Maria Braun« in Zagreb. Accès illimité à l'intégralité des textes et médias de l'Encyclopedie Universalis pour comprendre et apprendre. Support independent journalism. Son récit est celui de la fin de la guerre civile dite des Deux Roses qui déchira l'Angleterre de 1454 à 1485. « Is it the social role one plays in a community, or is it the true identity of the character?«. This is completely different from my production of Ibsen’s Ein Volksfeind (Enemy of the People). Schaubühne Berlin’s production of Richard III, Oct 11––14 “Lars Eidinger stars as a mesmerising, rapping, swearing Richard; an outsider who seizes centre stage with relish, caressing his microphone like a rock star gone to seed.” –The Guardian Bloomberg Philanthropies is the Season Sponsor Richard III … Richard III is een heerlijke karaktermoord op de desbetreffende koning, en ook hier is Richard een vleesgeworden bal kwaadaardigheid en haat. Fällt der Erste des Monats auf einen Sonn- oder Feiertag, beginnt der Vorverkauf am Folgetag.Mitglieder der Freunde der Schaubühne können ihre Karten schon drei Tage (Förderer) bzw. Die Abendkasse ist ab einer Stunde vor der Vorstellung bis zum Vorstellungsbeginn geöffnet. Richard Iii Anne Boleyn Tudors Edinburgh Festival Historical Women Historical Photos Strange History History Facts Tudor History British History Three Débuts at FIND 2019, Be Grateful! »Underlying everything is the pleasure of having a character onstage who does all the things that are forbidden in a civilized world«, he says, »Of course, civilization is an incredible achievement; otherwise we couldn’t get along with each other. BE FIRST JOIN . It’s better; it’s ergonomic. Ian McKellen speelt met zichtbaar plezier de samenzwerende, sadistische, fourth-wall-doorbrekende, zich een weg door de adel moordende Richard. Will he be stabbed in the back as he flails looking for a horse, and thus be humanized? Without such entertainments, the play demands not just pruning, but a hacking down to size. Read More. SHAKESPEARE, W.: Richard III (narrated in German) (Schaubühne Berlin, 2015) (NTSC) by William Shakespeare. History provided William Shakespeare’s imagination with a Richard III who is horrible, deformed, monstrous, with a perverse mind and an unbridled ambition. But sometimes I envy you writers. Encyclopédie Universalis pour les particuliers met la connaissance à la portée de tous. Having to explain so much Medieval English history, alluded to by a large cast of hardly differentiated nobles, is the next challenge. This is one of the Schaubühne's German-language productions with English (possibly also French) surtitles:

5,12 Nov: Richard III
8 Oct: Hamlet
10 Oct: The Invention of the Red Army Faction
15,16 Oct: Beware of Pity
So what interests me then is the theatrical: to provide an actor with the task of playing his own opposite.